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Free Culture - How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity,
Lawrence Lessig

Attribution

PREFACE

[Preface]

INTRODUCTION

[Intro]

"PIRACY"

[Intro]

Chapter One: Creators

Chapter Two: "Mere Copyists"

Chapter Three: Catalogs

Chapter Four: "Pirates"

Film
Recorded Music
Radio
Cable TV

Chapter Five: "Piracy"

Piracy I
Piracy II

"PROPERTY"

[Intro]

Chapter Six: Founders

Chapter Seven: Recorders

Chapter Eight: Transformers

Chapter Nine: Collectors

Chapter Ten: "Property"

Why Hollywood Is Right
Beginnings
Law: Duration
Law: Scope
Law and Architecture: Reach
Architecture and Law: Force
Market: Concentration
Together

PUZZLES

Chapter Eleven: Chimera

Chapter Twelve: Harms

Constraining Creators
Constraining Innovators
Corrupting Citizens

BALANCES

[Intro]

Chapter Thirteen: Eldred

Chapter Fourteen: Eldred II

CONCLUSION

[Conclusion]

AFTERWORD

[Intro]

US, NOW

Rebuilding Freedoms Previously Presumed: Examples
Rebuilding Free Culture: One Idea

THEM, SOON

1. More Formalities
Registration and Renewal
Marking
2. Shorter Terms
3. Free Use Vs. Fair Use
4. Liberate the Music - Again
5. Fire Lots of Lawyers

NOTES

Notes

ACKNOWLEDGMENTS

[Acknowledgments]

ABOUT THE AUTHOR

Other Works and REVIEWS of FreeCulture

JACKET

Endnotes

Endnotes

Index

Index

Metadata

SiSU Metadata, document information

Manifest

SiSU Manifest, alternative outputs etc.

Free Culture - How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity,
Lawrence Lessig

BALANCES

[Intro]

So here's the picture: You're standing at the side of the road. Your car is on fire. You are angry and upset because in part you helped start the fire. Now you don't know how to put it out. Next to you is a bucket, filled with gasoline. Obviously, gasoline won't put the fire out.

As you ponder the mess, someone else comes along. In a panic, she grabs the bucket. Before you have a chance to tell her to stop - or before she understands just why she should stop - the bucket is in the air. The gasoline is about to hit the blazing car. And the fire that gasoline will ignite is about to ignite everything around.

A war about copyright rages all around - and we're all focusing on the wrong thing. No doubt, current technologies threaten existing businesses. No doubt they may threaten artists. But technologies change. The industry and technologists have plenty of ways to use technology to protect themselves against the current threats of the Internet. This is a fire that if let alone would burn itself out.

Yet policy makers are not willing to leave this fire to itself. Primed with plenty of lobbyists' money, they are keen to intervene to eliminate the problem they perceive. But the problem they perceive is not the real threat this culture faces. For while we watch this small fire in the corner, there is a massive change in the way culture is made that is happening all around.

Somehow we have to find a way to turn attention to this more important and fundamental issue. Somehow we have to find a way to avoid pouring gasoline onto this fire.

We have not found that way yet. Instead, we seem trapped in a simpler, binary view. However much many people push to frame this debate more broadly, it is the simple, binary view that remains. We rubberneck to look at the fire when we should be keeping our eyes on the road.

This challenge has been my life these last few years. It has also been my failure. In the two chapters that follow, I describe one small brace of efforts, so far failed, to find a way to refocus this debate. We must understand these failures if we're to understand what success will require.




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This book is Copyright Lawrence Lessig © 2004
Under a Creative Commons License, that permits non-commercial use of this work, provided attribution is given.
See http://www.free-culture.cc/
lessig@pobox.com